Oliver Schmitz as a director of All in a story in the right place, but it quickly began to grow and soon these edges come to dominate the core of the film, shot set up to find Chanda (first actress Khomotso Manyaka), steel-eyed us, nerve- lip hero, trapped in a deep dark gloomy slums shelter, away from sunlight majestic Johannesburg.
Chanda stop to school to tell his teacher he will be out the next few days, and then proceeds to chit-chat with friends only, an orphan who play hooky to take hooking at the local truck stop to scrape by. Despite much evidence that similar horrors are routine in many environments poor of Johannesburg, which accumulate on this issue felt cheap, lazy, and exploitative, in a misguided attempt to universalize his story and to make it truly comprehensive, it covers all the misfortunes in South Africa, Life , above all employ a strategy that more-is-more a jumble of filmmaking popularized by the same defects and Precious Crash. Compounding the problem of his characters' again and again frankly can describe the depth of their difficulties, but the cost is too great.
Almost every other scene ends with a tight hug, eyes moist, and empty assurances along the lines of, "I'll always be your friend." I as the audience is very sad to see them, imagine the pain of life as they are, Life, Above All exhibits a lot of good intentions: the cast is all black and mostly local, the shooting was done entirely on location, and finally the final roll of the message of redemption, if so Candied making it difficult to swallow, I really want my loved ones happy.
